翻訳と辞書 ・ Self-pity ・ Self-policing ・ Self-pollination ・ Self-portrait ・ Self-portrait (Chassériau) ・ Self-portrait (David) ・ Self-portrait (disambiguation) ・ Self-Portrait (Dürer, Madrid) ・ Self-Portrait (Dürer, Munich) ・ Self-portrait (Frick, Rembrandt) ・ Self-portrait (Giorgione) ・ Self-portrait (Hans Holbein the Younger) ・ Self-Portrait (Jay-Jay Johanson album) ・ Self-portrait (Raphael) ・ Self-portrait (Rembrandt, Altman) ・ Self-portrait (Rembrandt, Indianapolis) ・ Self-portrait (Rembrandt, Vienna) ・ Self-Portrait (Rubens, 1638–1639) ・ Self-portrait (Thomas Eakins) ・ Self-Portrait (Titian, Berlin) ・ Self-Portrait (Titian, Madrid) ・ Self-portrait (van Dyck, 1613-14) ・ Self-portrait (van Dyck, 1640) ・ Self-Portrait (van Hemessen) ・ Self-portrait as a young man ・ Self-Portrait as the Allegory of Painting ・ Self-portrait as the Apostle Paul ・ Self-portrait as Zeuxis Laughing ・ Self-Portrait at the age of 13 ・ Self-portrait at the age of 34
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Self-portrait (Rembrandt, Indianapolis) : ウィキペディア英語版 | Self-portrait (Rembrandt, Indianapolis) This 1629 self-portrait by Dutch painter Rembrandt van Rijn is part of the Clowes Fund Collection of the Indianapolis Museum of Art in Indianapolis, Indiana. It is among the earliest of his self-portraits (possibly the very first), of which he produced dozens over the course of four decades.〔 ==Description== This is a portrait of studied spontaneity. His parted lips, tilted head, and leaning posture all evoke a moment of surprise and sudden animation, crafting a more dramatic encounter with the viewer. He wears what can best be described as a costume, culled from his collection of studio attire. This includes a scarf, a cap pulled low to give Rembrandt a dramatic shadow over his brow, and a steel gorget with a shiny, over-sized rivet. Since Rembrandt never served in the militia, the gorget is sheer affectation.〔 Although he was only twenty-three when he made this painting, Rembrandt utilized an impressive array of artistic techniques to fill it with emotion and drama. Already, his characteristic lighting and dense atmosphere are visible. He used nearly monochromatic hues and incisive brushwork, delineating individual strands of hair by scratching into the wet paint, to create this emotionally charged portrait. Studies such as this enabled him to create his later great works of art, which portray so authentically the feelings of the subjects.
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